Layer

NameAllan Marett Noh collection
DescriptionCollection of recordings related to Japanese Noh theatre created at the University of Sydney.
TypeMedia
Content Warning
ContributorBill Palmer
Entries9
Allow ANPS? No
Added to System2023-11-08 15:41:10
Updated in System2023-11-08 15:41:10
Subject linguistics, PARADISEC, language
Creator
PublisherAllan Marett
Contactadmin@paradisec.org.au
Citation
DOI
Source URLhttps://catalog.paradisec.org.au/repository/AM6
Linkbackhttps://catalog.paradisec.org.au/repository/AM6
Date From
Date To
Image
Latitude From
Longitude From
Latitude To
Longitude To
Language
LicenseOpen (subject to agreeing to PDSC access conditions)
Usage RightsOpen (subject to agreeing to PDSC access conditions)
Date Created (externally)

Details

Latitude
35.70515
Longitude
136.8905
Start Date
1990-01-01
End Date
1990-01-01

Description

Program notes from the 1990 performance of Eliza (1989), a Noh play in English written by Allan Marett, at the Umewaka Noh Theatre in Tokyo, was shot and edited by Mitsu Takahashi. The shite role was performed by Richard Emmert, who also composed the music. The waki role was performed by Joseph Houseal. The ai-kyogen was written (in Japanese) and performed by Yasushi Maruishi. The musicians were Yukimasa Isso (fue), Hiromi Koga (ko-tsuzumi), Shonosuke Okura (o-tsuzumi) and Gentaro Mishima (taiko).The head of the chorus was David Crandall. Text: Allan Marett Music/Direction: Richard Emmert Choreography/Direction: Richard Emmert Story: A traveler to Fraser Island in Australia meets an old woman who tells the story of Eliza Fraser, the wife of the captain of a ship shipwrecked years ago. The woman begins to tell fantastic stories about Eliza’s experiences and how these were used to satisfy the beliefs of white society. The traveler questions her story full of exaggeration and in so doing the woman’s true nature as the spirit of Eliza is set free. The spirit then reappears and dances in an aboriginal festival as she relives her experiences of aboriginal culture and the truth of her harmonious stay with aboriginal peoples. 2018 Note Further written documentation including drafts, correspondence, lectures and reviews are held at the NLA.

Extended Data

ID
AM6-01
Languages
English - eng, Japanese - jpn
Countries
Australia - AU, Japan - JP
Publisher
Allan Marett
Contact
admin@paradisec.org.au
License
Open (subject to agreeing to PDSC access conditions)
Rights
Open (subject to agreeing to PDSC access conditions)

Sources

TLCMap ID
tc9c00
Linkback
https://catalog.paradisec.org.au/repository/AM6/01
Source
https://catalog.paradisec.org.au/repository/AM6/01
Created At
2023-11-08 15:41:10
Updated At
2023-12-11 17:50:32

Details

Latitude
40.0898
Longitude
141.8785
Start Date
1984-01-01
End Date
1984-01-01

Description

This video contains 3 items recorded at Sydney University in 1984 as part of a Noh Project jointly sponsored by the Departments of Music, Performance Studies, and Japanese Studies. 1. Kiyotsune. Classical Japanese Noh play performed in the original Japanese by students of the University of Sydney. Shite: Gary Watson. Waki, Lewis Cornwell. Directed Akira Matsui and Richard Emmert. See item AM06-03 for images. 2. At the Hawks Well by W. B Yeats, music by Richard Emmert, directed by Akira Matsui and Richard Emmert. The role of the Hawk: Akira Matsui. The Old Man, Gregory Anderson. See item AM06-04 for images. 3. Documentary. A recording about the project made by the Sydney Film and Video Unit.

Extended Data

ID
AM6-02
Languages
English - eng, Japanese - jpn
Countries
Australia - AU, Japan - JP
Publisher
Allan Marett
Contact
admin@paradisec.org.au
License
Open (subject to agreeing to PDSC access conditions)
Rights
Open (subject to agreeing to PDSC access conditions)

Sources

TLCMap ID
tc9c01
Linkback
https://catalog.paradisec.org.au/repository/AM6/02
Source
https://catalog.paradisec.org.au/repository/AM6/02
Created At
2023-11-08 15:41:10
Updated At
2023-12-11 17:50:32

Details

Latitude
40.0898
Longitude
141.8785
Start Date
1984-01-01
End Date
1984-01-01

Description

Kiyotsune, a classical Japanese Noh play, was performed in the original Japanese by students of the University of Sydney in 1984. Shite: Gary Watson. Waki, Lewis Cornwell. Directed by Akira Matsui and Richard Emmert. Slides produced by Performance Studies Department, University of Sydney. Slides are not necessarily numbered in correct performance order. See AM6-02 for video of the performance. Metadata for all images is last file in item.

Extended Data

ID
AM6-03
Languages
English - eng, Japanese - jpn
Countries
Australia - AU, Japan - JP
Publisher
Allan Marett
Contact
admin@paradisec.org.au
License
Open (subject to agreeing to PDSC access conditions)
Rights
Open (subject to agreeing to PDSC access conditions)

Sources

TLCMap ID
tc9c02
Linkback
https://catalog.paradisec.org.au/repository/AM6/03
Source
https://catalog.paradisec.org.au/repository/AM6/03
Created At
2023-11-08 15:41:10
Updated At
2023-12-11 17:50:32

Details

Latitude
40.0898
Longitude
141.8785
Start Date
1984-01-01
End Date
1984-01-01

Description

Sydney University student production of At the Hawks Well by W. B Yeats, music by Richard Emmert, directed by Akira Matsui and Richard Emmert. The role of the Hawk: Akira Matsui. The Old Man, Gregory Anderson. Slides produced by Performance Studies Department, University of Sydney. See AM6-02 for video of the performance.

Extended Data

ID
AM6-04
Languages
English - eng, Japanese - jpn
Countries
Australia - AU, Japan - JP
Publisher
Allan Marett
Contact
admin@paradisec.org.au
License
Open (subject to agreeing to PDSC access conditions)
Rights
Open (subject to agreeing to PDSC access conditions)

Sources

TLCMap ID
tc9c03
Linkback
https://catalog.paradisec.org.au/repository/AM6/04
Source
https://catalog.paradisec.org.au/repository/AM6/04
Created At
2023-11-08 15:41:10
Updated At
2023-12-11 17:50:32

Details

Latitude
40.0898
Longitude
141.8785
Start Date
2015-10-01
End Date
2015-10-01

Description

The Oppenheimer Noh Project focused on the creation and performance of a new English-language Noh play, Oppenheimer, by Allan Marett, which was performed in the Music Workshop Theatre on Wednesday 30 September and Thursday 1 October 2015. The project included a public workshop and public lecture and was a key event in two conferences: Wounds, Scars and Healing: Civil Society and Postwar Pacific Basic Reconciliation and Musical Dialogues: the 38th National Conference of the Musicological Society of Australia. It was a collaboration between Emeritus Professor Allan Marett (SCM), Professor Richard Emmert (Musashino University, Tokyo) and master actor-teacher of the Kita School of Japanese classical Noh theatre, Akira Matsui. The principal performers include Japanese professionals as well as Japanese-trained members of the Theatre Nohgaku, whose mission ‘is to share Noh’s beauty and power with English speaking audiences and performers.’ The performance was supported by the Japan Foundation. 2018 Note Further written documentation including drafts, correspondence, lectures and reviews are held at the NLA.

Extended Data

ID
AM6-05
Languages
English - eng, Japanese - jpn
Countries
Australia - AU, Japan - JP
Publisher
Allan Marett
Contact
admin@paradisec.org.au
License
Open (subject to agreeing to PDSC access conditions)
Rights
Open (subject to agreeing to PDSC access conditions)

Sources

TLCMap ID
tc9c04
Linkback
https://catalog.paradisec.org.au/repository/AM6/05
Source
https://catalog.paradisec.org.au/repository/AM6/05
Created At
2023-11-08 15:41:10
Updated At
2023-12-11 17:50:32

Details

Latitude
40.0898
Longitude
141.8785
Start Date
2015-09-29
End Date
2015-09-29

Description

Noh mask maker, Hideta Kitazawa, interviewed on Hiroko Moore, Japanese program, SBS Radio, aired 29/9/2015

Extended Data

ID
AM6-06
Languages
English - eng, Japanese - jpn, No linguistic content - zxx
Countries
Australia - AU, Japan - JP
Publisher
Allan Marett
Contact
admin@paradisec.org.au
License
Open (subject to agreeing to PDSC access conditions)
Rights
Open (subject to agreeing to PDSC access conditions)

Sources

TLCMap ID
tc9c05
Linkback
https://catalog.paradisec.org.au/repository/AM6/06
Source
https://catalog.paradisec.org.au/repository/AM6/06
Created At
2023-11-08 15:41:10
Updated At
2023-12-11 17:50:32

Details

Latitude
40.0898
Longitude
141.8785
Start Date
2015-09-22
End Date
2015-09-22

Description

Professor Richard Emmert interviewed on Hiroko Moore, Japanese Program, SBS Radio, Aired on 22/09/2015

Extended Data

ID
AM6-07
Languages
English - eng, Japanese - jpn, No linguistic content - zxx
Countries
Australia - AU, Japan - JP
Publisher
Allan Marett
Contact
admin@paradisec.org.au
License
Open (subject to agreeing to PDSC access conditions)
Rights
Open (subject to agreeing to PDSC access conditions)

Sources

TLCMap ID
tc9c06
Linkback
https://catalog.paradisec.org.au/repository/AM6/07
Source
https://catalog.paradisec.org.au/repository/AM6/07
Created At
2023-11-08 15:41:10
Updated At
2023-12-11 17:50:32

Details

Latitude
40.0898
Longitude
141.8785
Start Date
2022-05-26
End Date
2022-05-26

Description

This video recording of the 1989 performance of Eliza, a Noh play in English written by Allan Marett, by students at the University of Sydney. It was directed by Richard Emmert and Akira Matsui. The film was shot and edited by Mitsu Takahashi. The shite role was performed by Richard Emmert, who also composed the music. The waki role was performed by Joseph Houseal. The ai-kyogen was written (in Japanese) and performed by Yasushi Maruishi. The musicians were Yukimasa Isso (fue), Hiromi Koga (ko-tsuzumi), Shonosuke Okura (o-tsuzumi) and Gentaro Mishima (taiko).The head of the chorus was David Crandall. Text: Allan Marett Music/Direction: Richard Emmert Choreography/Direction: Richard Emmert Story: A traveler to Fraser Island in Australia meets an old woman who tells the story of Eliza Fraser, the wife of the captain of a ship shipwrecked years ago. The woman begins to tell fantastic stories about Eliza’s experiences and how these were used to satisfy the beliefs of white society. The traveler questions her story full of exaggeration and in so doing the woman’s true nature as the spirit of Eliza is set free. The spirit then reappears and dances in an aboriginal festival as she relives her experiences of aboriginal culture and the truth of her harmonious stay with aboriginal peoples. 2018 Note Further written documentation including drafts, correspondence, lectures and reviews are held at the NLA.

Extended Data

ID
AM6-01a
Languages
English - eng, Japanese - jpn
Countries
Australia - AU, Japan - JP
Publisher
Allan Marett
Contact
admin@paradisec.org.au
License
Open (subject to agreeing to PDSC access conditions)
Rights
Open (subject to agreeing to PDSC access conditions)

Sources

TLCMap ID
tc9c07
Linkback
https://catalog.paradisec.org.au/repository/AM6/01a
Source
https://catalog.paradisec.org.au/repository/AM6/01a
Created At
2023-11-08 15:41:10
Updated At
2023-12-11 17:50:32

Details

Latitude
35.70515
Longitude
136.8905
Start Date
1990-01-01
End Date
1990-01-01

Description

This video recording of the 1990 performance of Eliza (1989), a Noh play in English written by Allan Marett, at the Umewaka Noh Theatre in Tokyo, was shot and edited by Mitsu Takahashi. The shite role was performed by Richard Emmert, who also composed the music. The waki role was performed by Joseph Houseal. The ai-kyogen was written (in Japanese) and performed by Yasushi Maruishi. The musicians were Yukimasa Isso (fue), Hiromi Koga (ko-tsuzumi), Shonosuke Okura (o-tsuzumi) and Gentaro Mishima (taiko).The head of the chorus was David Crandall. Text: Allan Marett Music/Direction: Richard Emmert Choreography/Direction: Richard Emmert 1990 Performed at the Umewaka Noh Theatre in Tokyo, Shite: Richard Emmert Story: A traveler to Fraser Island in Australia meets an old woman who tells the story of Eliza Fraser, the wife of the captain of a ship shipwrecked years ago. The woman begins to tell fantastic stories about Eliza’s experiences and how these were used to satisfy the beliefs of white society. The traveler questions her story full of exaggeration and in so doing the woman’s true nature as the spirit of Eliza is set free. The spirit then reappears and dances in an aboriginal festival as she relives her experiences of aboriginal culture and the truth of her harmonious stay with aboriginal peoples. 2018 Note Further written documentation including drafts, correspondence, lectures and reviews are held at the NLA.

Extended Data

ID
AM6-01b
Languages
English - eng, Japanese - jpn
Countries
Australia - AU, Japan - JP
Publisher
Allan Marett
Contact
admin@paradisec.org.au
License
Open (subject to agreeing to PDSC access conditions)
Rights
Open (subject to agreeing to PDSC access conditions)

Sources

TLCMap ID
tc9c08
Linkback
https://catalog.paradisec.org.au/repository/AM6/01b
Source
https://catalog.paradisec.org.au/repository/AM6/01b
Created At
2023-11-08 15:41:10
Updated At
2023-12-11 17:50:32
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